Showing posts with label Writerly Lifestyle. Show all posts
Showing posts with label Writerly Lifestyle. Show all posts

11/9/23

STICKY FINGERS by JOE HAGAN : CHRISTINE TRZYNA BOOK REVIEW

STICKY FINGERS : THE LIFE AND TIMES OF JANN WENNER and ROLLING STONE MAGAZINE by JOE HAGAN    (A Biography of Jann Wenner and his Magazine...)

I'm going to start by dropping names : Mick Jagger, John Lennon, Yoko Ono,  Bruce Springsteen, Joni Mitchell, Bono.   Michael Douglas, the actor.  Annie Leibovitz, the photographer - a whole lot about her.  Writers - Hunter S. Thompson and Tom Wolf.

Some of these people had far more influence over the magazine than I would ever suspect.  Jagger is unafraid to have his influence and an idea person.  Lennon and Ono become friends but also expect to be treated as celebrities.  Mitchell get's pissed off but eventually forgives.  Leibvitz is - perhaps - having a lesbian affair with Jann Wenner's wife, Jan, but is depicted as a serious drug addict whose talent manages to make it through despite the effects.

This is not to diminish at all the story of Jann Wenner's magazine's endurance, the stops and starts, the move from San Francisco to New York, and the fact (unknown to me) that he also started and succeeded with other magazines. So if you're interested in the history of the magazine don't let the name dropping turn you off. Rolling Stone magazine is not just a music magazine but part of pop culture and so are those people who star in pop culture including the artists - that actors, singers, songwriters, musicians, and the record companies that believed in them and earned millions on their talents, who made it onto the magazine's pages. Writers and editors were assigned. Careers were made but also, opinions could hurt.

 And as a disclosure, I've never been a regular reader. In fact, I have barely read it at all.

I've been thinking about this since I realize some of you may think that's odd, considering how often I post YouTube videos of classic rock and soul music especially. The book may explain that, without my especially noticing it, pop culture was marketed to me, my people. Knowing that there are so very many talented people in the music business, knowing that getting a record contract for even one album is rare enough to be considered a miracle, one wonders how much luck has to do with success and popularity and becoming a public personality, and how much was and is having acquired the best management and marketing.  Articles in magazines, profiles and interviews, photos - especially the cover of a magazine...

This book is simply excellent, so perhaps I should mention that it does include the personal life of Jann Wenner, his long marriage that produced children, to a woman who was very much a part of it all yet who mostly lived a life separate of her husband. Jan Wenner is depicted as someone who was "bisexual" (like Elton John) but, having had many a sexual adventure with men while married heterosexually, ends happily married to a younger man, with whom he has children by surrogate. After he was official with his new partner, he did not divorce for another seventeen years.  So there's the coming out story - but, importantly, this is not one of those books that exists to prove someone is "really gay."

I listened to this book as an audio book and it was well read.  I've been doing that sort of listening- reading more these days, in part because I'm also sewing and crocheting.  The real treat was at the very end when the author himself talked about how he got the assignment and the cooperation, and the people he thanked, including a list of the women who had cooperated, women who were there.


C 2023  Christine Trzyna

10/3/23

THE FATHER OF FLOW? GOOGLE FEATURED MIHALY CSIKSZENTMIHALYI


 

I clicked on the artistry on the Google start page a couple mornings ago, a pastel image of a man with a lot of flowing energy depicted and came upon Mihaly Czikszentmihaly a Hungarian-American who died a couple years ago, a psychologist who studied flow. I'd never heard of the man before honestly, but since I talk about writing in flow and staying in flow, I thought it might be interesting to learn more about his work. 

***

I experience flow as a sort of deep concentration and focus and it used to be that I could stay in it for hours. The enemy of flow, as I experience it, is interruption. Your own cell phone going off for instance. Other people's. My local library is not so quiet. Libraries used to be refuge but are now mostly distraction. Finding a bolt-hole is necessary. 

Some people have learned how to tune out all the distractions around them - loud music - conversations - and focus intently on their computer, maybe with earphone or earbuds and some low volume relaxing music. I have some " relaxing music" YouTube videos that I choose to listen to while writing.

Silence and quiet, hearing only the sound one makes from physical activity and that of nature around us, is rare but desirable. In our experience now, we are so used to 'aloneness' with sound, in particular music, movies, films - information (some would say programming) coming in - or bombarding us - that fear can be experienced in silence and quiet.  However, I suggest we go without this bombardment from sound when we are writing, also, because we need the thoughts, insights, and intuitions, coming in to us that may be obscured when our brains are also engaged in processing the audio incoming.

***

What does Mihaly Czikszentmihaly think?

CLAREMONT COLLEGE GRADUATE PROGRAM : PEOPLE : MILALY CZIKSZENTMIHALY


U CHICAGO : MIHALY CZIKSZENTMIHALY FATHER OF FLOW


9/30/23

UNREQUITED ANGER

Unrequited   (of a feeling, especially love) not returned or rewarded)

Mutual discontent:

Walking down the street.  I see Malcolm (of course that's not his real name) sitting on a plastic chair.  Some other men are here and there on the pavement in plastic chairs, one a few feet away.

Hi Malcolm, I say.  "Have you recovered from that sweet kiss I gave you off my fingertips last week?"  (I had kissed my own fingers and applied my fingers to his temple.)

He looks at me.  He doesn't remember.

"I have something to say to you," I say.  (I don't know why I didn't have the bravery back in the day.)

He looks up at me.  Malcolm has thin gray hair that he periodically doses with black dye.  He's Italian and Mexican in heritage. He's younger than me. He looks up through his-bifocals and I see the same glimmer and flash that was there years ago.

"I want you to know that back in the day you had me for a moment. I don't know why I didn't use my writing skills and write you a damn long letter."  With my hands I ran over an invisible document, a long scroll."

His eyes flash and he smiles.

"It was because you were so sincere with me. But you lied about the two wedding bands you wear."  (I had asked him about the rings.  Asked him if he wore them to ward off women. Still in love with your ex? I asked. He said he just liked to wear them When I found out - for sure - that he had been married twice.)

I noticed that the man sitting closest to him was earnestly trying to not listen in but that got him.

"But I hate your friends." I said.

"I hate them too," Malcolm said.  "T.J.?  He shook his head."  (T.J. (not his real name) was a tough Native American man who it was rumored had five children with various women he did not support.  Had worked as a bouncer.  Had been in jail with Malcolm when they were younger.  For what I don't know.  Rumors had it T.J. had a baby with an underage girl.)

"That one guy... he told me his problems...that woman...her mother threatened him and told him to get out, her brother held a gun to his head..."

"They got married,"  Malcolm said.  "And got their little place."

"Well one day he looked at me and said,"You're nothing but some woman in a hat."

"He did?" 

"And I said, "Most Certainly Not," and that surprised him.  

"And someone else told me that you ran a brothel," I continued.  "But then someone else said you don't charge."

Malcolm laughed.  "They did?!"  

Yes, I nodded.  

"Look, I'm just an entertainer," he said.  "That's my job, to keep people up."

"Yea, but there's a point there where it's a tease - a mean tease.  Like that time you sang me the song."

"What song did I sing to you?"

"Well, T.J. went past me one day and said "That Malcolm sure has the biggest crush on you." And then a couple weeks later you stood up and said "I'm now going to address the rumors that have been going around here about me.  Then you looked at me and said "I'm going to sing you a song and when I asked you what you were going to sing to me you said "Under My Skin" but when the time came you sang "Hooked On A Feeling."

"Hooked On A Feeling, I know that song," Malcolm said.  

"It has that horrible oooga booga." 

"Yea, everybody hates that part."

Malcolm was still smiling but also looked like he swallowed a goldfish.

"And then you ran."

"Where did I run to?"

"Before I could talk to you, you ran, all the way down the street, and I saw you run into this place."

"There was another karaoke"

"No, you ran, as if you were embarrassed." (After his feat, Malcolm really never talked with me again. I would see him sitting in a plastic chair on the sidewalk and stay on the other side of the street.  Yet for a moment there was no doubt about it, Malcolm had a crush on me and for a moment there was no doubt I had a crush on him too.)

"Maybe if things had been different I would have gotten married and had a lot of babies," he said.

9/27/23

AN ARTIST WHO REDESIGNS HISTORICAL ROMANCE BOOK COVERS TO FIT THE STORY and THE TIME PERIOD : BERNADETTE BANNER

I don't read romance novels but this genre is the best seller to women.  (Murder - fiction and nonfiction - sells best overall.)  The writer of a historical novel does their best to describe their characters authentically but then the cover is turned over to an artist who may not read the book or understand the fashion, hairstyles, and cosmetics of the era.  BERNADETTE BANNER does and with a much better understanding of what the writer wrote, attempts to redesign the covers.  Watched her videos and was just fascinated.

Because I have a rule that I do not embed videos that have commercials, I'll provide the links instead. 

REDESIGNING HISTORICAL ROMANCE BOOK COVERS TO BE ACTUALLY HISTORICAL PARR 2

8/25/23

TENDERNESS : EXPERIENCE FORTY : CHRISTINE TRZYNA WRITING WORKSHOP


 

TENDERNESS

In a harsh world is TENDERNESS a rare quality?  Are you tender?  When or how are you tender?  Is someone tender with you?  How does it feel?

Christine Trzyna

This exercise is part of a series of writing exercises and to bring up the whole series use the tag Christine Trzyna Writing Workshop. 

C 2018-2025  Christine Trzyna 
All Rights Reserved including Internet and International Rights
OK to use this post in not for profit situations. Please credit me. Send me love.  It's karma.


7/15/23

CREATING A CHARACTER: EXPERIENCE THIRTY-NINE : CHRISTINE TRZYNA WRITING WORKSHOP


 

CREATE A CHARACTER

Create a person who would be your favorite playmate.  Where would you go?  What would you do? What would you talk about?  Or do you talk?  Describe this person in detail.  Then your interaction. 

Christine Trzyna

This exercise is part of a series of writing exercises and to bring up the whole series use the tag Christine Trzyna Writing Workshop. 

C 2018-2025  Christine Trzyna 
All Rights Reserved including Internet and International Rights
OK to use this post in not for profit situations. Please credit me. Send me love.  It's karma.


5/12/23

OLD WRITING AS INSPIRATION : EXPERIENCE THIRTY-SEVEN : CHRISTINE TRZYNA WRITING WORKSHOP


 

Pull out some OLD WRITING that you did a while back  - months or years ago - and read it.

What do you think about it now?

Rewrite it or rewrite a portion of it.  Maybe just let a few sentences that you find especially important send you into a flow of writing.

Go where it takes you.

Christine Trzyna

This exercise is part of a series of writing exercises and to bring up the whole series use the tag Christine Trzyna Writing Workshop. 

C 2018-2025  Christine Trzyna 
All Rights Reserved including Internet and International Rights
OK to use this post in not for profit situations. Please credit me. Send me love.  It's karma.


10/19/22

IMAGINE : EXPERIENCE THIRTY-FOUR : CHRISTINE TRZYNA WRITING WORKSHOP


 

IMAGINE that you are a bird.  Choose the kind of bird you are.  What is it like to find food?  To build a nest? Tell about your adventures as a bird.  Maybe this is a bird memoir. 

Christine Trzyna

This exercise is part of a series of writing exercises and to bring up the whole series use the tag Christine Trzyna Writing Workshop. 

C 2018-2025  Christine Trzyna 
All Rights Reserved including Internet and International Rights
OK to use this post in not for profit situations. Please credit me. Send me love.  It's karma.

9/30/22

BIBLICAL PROPORTIONS and OTHER HYPERBOLE

BIBLICAL PROPORTIONS and OTHER HYPERBOLE

All languages change over time.  New words or spellings of words are added. Sometimes words go out of favor and are eventually considered archaic or are never used again.  If the word or terminology is used for a while, a few decades, it can be show up in the dictionary,  Then there is slang which sticks around for a season or a generation or two, usually a short cut in language.

I had a friend who used the term BOSS. Just about everything she liked was BOSS.

Lately BOSS got turned into THE BOMB...

Technology has introduced new words and definitions for words such as Cookie.

Are you using slang or terminology from another culture or era?

I know I sometimes say something that my mom or dad would have said and I wonder where they got it from.  Sayings that, when it comes right down to it, do not seem to relate to our culture or life experience such as.  "After a while crocodile."  To which one responds. "See you later alligator."  (We did not golf, so this cannot have to do with perhaps wearing the right shirts.)

Film informs us of how people talk or talked, such as all those gangster films (1930's-1940's) which brought organized crime slang into our pop culture language.  I use the term moola for money, which I think of as funny or dismissive of money. (Mafia and criminal slang of more recent times in films overuse the slang term that originated in Germanic language, f*ck.)  I cringe when I hear people calling murder, "Taking Out."

But, re my criticism of a recent Politically Correct film in which historical figures from decades ago were envisioned as heroes of civil rights and used present day slang and terminology such as "Conversation,"  and "People of Color," maybe we should be skeptical of dialogue in Old Hollywood films as well. Maybe gangsters did not all go around calling money, moola, or maybe they too had regional or cult terms. Maybe they were stereotyped in those films.

Why would anyone who knows criminals do damage to individuals and society as a whole want to honor them by using their slang?

Then there are the words used improperly to exaggerate, words that are histronic.

For instance, the term BIBLICAL PROPORTIONS has been used in recent years every time there is a threat of a natural disaster associated with climate change, such as hurricanes. Well, the storms do seem to be getting more and more destructive, impacting thousands. Still, Biblical Proportions always implies the Great Flood in which the Entire Earth was destroyed, covered in water. There has not been a rain storm on earth that Great since, so I do wish newscasters and the reportage media would quit using it inaccurately, as a means to hype people up with fear and make them evacuate.

Think of how subtle but powerful a simple word such as BAD is instead.

You get a phone call about someone who has just gone to the hospital. The caller simply says, "Christine, it's BAD," and I'm on my way to the hospital to see that person as they die.

Another wrong usage of our language seems to have started with young, hyper-positive teenagers and young people, especially girls and young women.  That is the use of SUPER, which is being used as a modifier. SUPERSWEET, SUPERIMPORTANT...

SUPERMODEL is also an exaggeration. SUPERMODEL is applied now to models or actresses and entertainers who said they modeled, which they did a few times perhaps, or did without ever earning a fortune from it. Supermodel has been in our language over 2 decades but should be applied only to those models who appear on numerous magazine covers with the effect of becoming known throughout the world and become rich from modeling. Gigi Hadid for instance is a Supermodel, but what's-her-name Heidi Klum was never and is not. She's pretty, has no embarrassment of showing her breasts, and perhaps has other things that are nice about her personality or talents, but she was never a SUPERMODEL.

SUPER has taken the place of VERY, which is also overused. The words sweet, important, all words, can stand alone in their meaning.

Hyping words up with SUPER actually has a dulling or deadening effect to their meaning. Hyping up attempts to create more importance and drama to the word to the point where we search for or invent a word that implies even more. Overall, we are better off using an exclamation point but, before we do, asking ourselves if really the word or the sentence deserves one.

I know that once one gets the hang of using words like SUPER or f*ck, somehow it's difficult to rid yourself of them.  A good reason why one ought to is that the older you are, the more you sound ignorant or stupid, like you actually don't have much of a vocabulary.

Sometimes I think hyperbole has something to do with the whole Positive Thinking movement, for along with SUPER, SO is also used to exaggerate. In a revved-up, sometimes sing-songy way, the young woman thrills,  "We had SUCH a good time. She was just sooooooo excited.  I am so-ooo going back there!"  

If she's talking about Burning Man, I get it, but if she's talking about a birthday gathering at the local pizza parlor, I take it this person doesn't get out much.

Fantabulous, supercalifragilisticexpealadocious, or giamonstrous?

Hell no... these are creative terms but...

Fantastic, fabulous, giant, monster, are all stand alone words.

Even using them, a more accurate description might be good, big, or lizard.

I ask you to think about this and urge you to use accurate words, expand your vocabulary, cut the slang, just as I'm trying to.

C 2022 Christine Trzyna

9/21/22

MORTIFIED : EXPERIENCE THIRTY-THREE : CHRISTINE TRZYNA WRITING WORKSHOP


 

 Write about an experience in which you were MORTIFIED.

Christine Trzyna

This exercise is part of a series of writing exercises and to bring up the whole series use the tag Christine Trzyna Writing Workshop. 

C 2018-2025  Christine Trzyna 
All Rights Reserved including Internet and International Rights
OK to use this post in not for profit situations. Please credit me. Send me love.  It's karma.

9/7/22

QUINCY JONES ON CREATIVE PROCESS

From his book 12 Notes On Life and Creativity

Excerpt pages 94-95

As I learned from my two mentors, Victor Young and Alfred Newman, it's important to "just write and turn the page. Never look back." This proved to be an important aspect of creating  in the alpha state, because it's important not to block what your subconscious mind is trying to tell you. Sometimes it's difficult to get started, but you've got to stop overthinking and just begin, even if it's just a single word or shape. Before I pursued music, I explored various art forms such as drawing and painting, and I would always start with a charcoal sketch.  Even if I didn't know what I wanted the end product to look like, I just put down a basic structure or contour.  Then from there, I'd add watercolors and finally oil. When I started producing music, I used a similar process.  That is, I tried not to get locked in right away with an expectation of a final product.  Instead, I followed my instincts and translated them into a basic shape or sound.  The, I built on top of it by defining dynamics, colors, density, and so on.  Start with an image or melody, and let it out.  And as the sketch or song takes shape, you can lay on the watercolors.

Creativity is informed by what you feel, not what you think, and learning to tune into those feelings is what is ultimately going to carry you through when distractions come. I've 100 percent relied on my instincts throughout my career; without doing so, I know I wouldn't have been able to create art that has stood the test of time,  I recognize that it's easier said than done, but the next method I'm going to share with you is without a doubt the best way to do it.

And that method is "the Goosebump Test."

If the music I'm creating gives me goosebumps, odds are it'll do the same for at least one other person on this planet. But if it doesn't move me at all, and I'm trying to do it for the sake of getting a reaction out of someone else, I'll get stuck in a never-ending cycle of mediocrity.  It doesn't work....."

8/27/22

VOCABULARY : EXPERIENCE THIRTY- TWO : CHRISTINE TRZYNA WRITING WORKSHOP


 

VOCABULARY

While reading, make a list of at least five words that you don't know the definition of or that you have never come across before.  Then, write a short story and try to use all five words correctly in that story.

Christine Trzyna

This exercise is part of a series of writing exercises and to bring up the whole series use the tag Christine Trzyna Writing Workshop. 

C 2018-2025  Christine Trzyna 
All Rights Reserved including Internet and International Rights
OK to use this post in not for profit situations. Please credit me. Send me love.  It's karma.

8/23/22

EVE BABITZ : SLOW DAYS, FAST COMPANY - THE WORLD, THE FLESH, and L.A. : LA AS A CHARACTER

It's well known that for something to be fiction it must move right along and not meander among the bushes gazing into the next county. Unfortunately, with L.A. it's impossible.  You can't write a story about L.A. that doesn't turn around in the middle or get lost. And since it's the custom for people who "like" L.A. to embrace everything wholesale and wallow in Forest Lawn, all the stories you read make you wonder why the writer doesn't just go ahead and jump, get it over with.

I love L.A. The only time I ever go to Forest Lawn is when someone dies.  A kid from New York once said: ""Look. Which would you rather? To spend eternity looking out over these pretty green hills or in some overcrowded ghetto cemetery next to the expressway in Queens?  L.A. didn't invent eternity.  Forest Lawn is just an example of eternity carried to its logical conclusion.  I love L.A because it does things like that.

People nowadays get upset at the idea of being in love with a city, especially Los Angeles.  People think you should be in love with other people or your work or justice. I've been in love with people and ideas in several cities and learned that the lovers I've loved and the ideas I've embraced depended on where I was, how cold it was, and what I had to do  to be able to stand it....    

Eve Babitz : Excerpt page 7  published 1977

8/10/22

WOW! : EXPERIENCE THIRTY- ONE : CHRISTINE TRZYNA WRITING WORKSHOP


 

What ASTONISHES you? 

Christine Trzyna

This exercise is part of a series of writing exercises and to bring up the whole series use the tag Christine Trzyna Writing Workshop. 

C 2018-2025  Christine Trzyna 
All Rights Reserved including Internet and International Rights
OK to use this post in not for profit situations. Please credit me. Send me love.  It's karma.

7/19/22

ERIC EDSON LECTURE ON SCREENWRITING STORY STRUCTURE and THE RITUAL OF STORY


Am not involved in screenwriting but this lecture is worth the listen for any writer.  Every genre has its conventions - limitations - such as how much time a person who is reading or watching is going to spend.  Eric Edson's lecture makes me wish I were back in college.

I disobey the idea that a blog post should only take a minute to read.

Visual storytelling (film) is different than novels...  Emotion and Character through BEHAVIOR.  Plot and character is the same in film.  No narrator telling us what's going on.

Hero and adversary creates conflict.  Only 14 categories provide characters of either helping or hindering a hero from getting to their goal.

7/15/22

CAVES : EXPERIENCE THIRTY : CHRISTINE TRZYNA WRITING WORKSHOP


 

Many a writer wishes they could go stay in a CAVE and write - no interruptions - alone time - and cannot be found.  Have you ever had the experience of the feeling that no one can find you - to call upon you - to obligate you?  

Describe your own personal cave fantasy.  What creature comforts, if any, would you take in with you?  How's the lighting?  How long do you stay in there?  Keep going !

Christine Trzyna

This exercise is part of a series of writing exercises and to bring up the whole series use the tag Christine Trzyna Writing Workshop. 

C 2018-2025  Christine Trzyna 
All Rights Reserved including Internet and International Rights
OK to use this post in not for profit situations. Please credit me. Send me love.  It's karma.