8/23/22

EVE BABITZ : SLOW DAYS, FAST COMPANY - THE WORLD, THE FLESH, and L.A. : LA AS A CHARACTER

It's well known that for something to be fiction it must move right along and not meander among the bushes gazing into the next county. Unfortunately, with L.A. it's impossible.  You can't write a story about L.A. that doesn't turn around in the middle or get lost. And since it's the custom for people who "like" L.A. to embrace everything wholesale and wallow in Forest Lawn, all the stories you read make you wonder why the writer doesn't just go ahead and jump, get it over with.

I love L.A. The only time I ever go to Forest Lawn is when someone dies.  A kid from New York once said: ""Look. Which would you rather? To spend eternity looking out over these pretty green hills or in some overcrowded ghetto cemetery next to the expressway in Queens?  L.A. didn't invent eternity.  Forest Lawn is just an example of eternity carried to its logical conclusion.  I love L.A because it does things like that.

People nowadays get upset at the idea of being in love with a city, especially Los Angeles.  People think you should be in love with other people or your work or justice. I've been in love with people and ideas in several cities and learned that the lovers I've loved and the ideas I've embraced depended on where I was, how cold it was, and what I had to do  to be able to stand it....    

Eve Babitz : Excerpt page 7  published 1977