EXCERPT FROM EDMUND WILSON (1931) THE CITY OF OUR LADY THE QUEEN OF ANGLES
page 96) Writing about Bob Shuler and other preachers of the era such as Aimee McPherson and Dr. Briegleb. These people tried to have influence on the values of the city and at question was their own relationship to money.
... "I came from the poorest of the poor, "he would say. "I have always been an underdog all my life, and my sympathies and efforts will always be on the side of the common people... I must be forgiven for wanting this city run in the interests of the common people for the benefit of those who need protection and defense." He did not believe that "an honest officer would be active in enforcing the law against the defenseless and friendless while he flossed his eyes to the lawlessness of the rich and powerful; and he was "against the third degree, against special assessment of the poor, against confiscation of humble homes for public improvements." "I've found a very few millionaires, "he would say, "Who didn't get their money in a manner that I doubted if God could own or bless." He was indignant in his intimations that his Baptist rival, Aimee McPherson, had diverted the money she raised on the pretext of pious purposes to her own luxurious living. When she had elicited, on one occasion, contributions for a monument for her husband's grave, Bob Shuler, several months afterwards, had photographs of the grave taken and would display them to his congregation, showing that there was nothing there but the original ignoble headstone..."
page 106)
... "Poor Dr. Briegleb! Some basic Germanic simplicity, Puritanical inflexibility, professional respectability, will always, one fears, prevent him from appealing to the public of Los Angeles as Aimee McPherson and Bob Shuler do. Shuler can still charm every heart with a whiff of the cow-manure from his heels. Aimee, in her jolly gaudy temple, enchants her enormous audience by her beaming inexhaustible sunshine and her friendly erotic voice. She writes them operas in which ancient oratorios and modern Italian opera are mingled with popular songs and tunes from musical comedies..."
from
Writing Los Angeles
A Literary Anthology
Edited by David L. Ulin
Library of America publisher
Copyright 2002
