MY HOLLYWOOD
C 2010 Mona Simpson
Borzoi Book Alfred A Knopf Publisher
Filipina nanny "Lola", the dominant voice and sensibility in this wonderfully rendered portrait of new century life in Santa Monica, California, comes to Los Angeles to work and send money home to her own Hallmark card artist husband and four good children. She, over several years, works long hours and seven days a week to send the family about half a million in USA dollars so that they can go to college and become professionals, raising their status and class in Manila. In the meantime, focused on her own real work of mothering the children of strangers, she slowly loosens her own marriage and roots in the Philippines.
To succeed at sending money home, Lola raises the infant children of two career couples and single mothers attached to television writing and the Hollywood business until they are pre-schoolers and then some. She falls in love with her charges, first Williamo, and then Laura, and becomes an important player in the local nanny network, helping to rescue one woman who is held as a slave, brokering marriages, and providing mentorship and referrals. She is there when the parents are too busy to have had (in my opinion) children in the first place. She is self sacrificing and these children of parents who are self-involved, but besides meeting her goals, where is the thanks?
IS THERE EVER THANKS IN MOTHERHOOD?
As dedicated as she is to raising Williamo, the only son of a mother who cannot handle raising a child and compose music at the same time named Claire, and a father who spends the vast majority of his life at the office where he writes situation comedy but is not even in his marriage, the boy will, a few years later, not even remember her.
The important woman's work of raising children - with help - has not been fully left behind by the birth mothers in this book, it's just that they have to hold onto their marriages at the same time, and childbirth and marriage turn out to be not so romantic after all.
The individual language and mentalities of Claire and Lola balance the overall view point of this book, which is to expose their individual and collective delimma as they raise and lower their class through hiring help or getting divorced. Upper class women, many accomplished and educated, slowly move their lives to leaving careers behind and dependence on husbands, and sometimes husbands have affairs to keep their marriages, but what is most important for them all is supposed to be the children, but that's not it either. They have left their goals behind for taking it one day at a time, making playdates, worrying if their child seems behind his peers or unpopular. Knit in a community like this, having your children get along with the children of your husband's work peers or boss is essential.
Laura, born slow but able to catch up with the ongoing attention Lola provides as a devoted babysitter rather than a professional special ed teacher, has a single mother who is mostly absent and self indulgent, and we get to know her so little we are, like Lola, not so sure where she goes or what she does. Despite Lola being in the traditional role of stay at home mother to the working woman who brings the income like a man in a traditional role, another relationship with a man who would be father, displaces Lola once again.
This then is the short short of the novel.
The clash of cultures and the mutual ambivalence about marriage and raising children that is cross-cultural, along with the broken English talk of Lola, which is more revealing than if she spoke English well, provides the nuances as well as a series of small informing shocks. This is no doubt a feminist novel, one that reveals intricacies between women who seem both striving and misguided, and who have things in common even when they are from different cultures and are kept from closeness by the employer - employee role they play out. It's one for my permanent bookshelf.
I've linked to Mona Simpson's site!
C Christine Trzyna 2011 All Rights including Internet and International Rights Reserved
